PTIJ Should we be afraid of Artificial Intelligence? Using an 85C warming filter in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. In fact, it was this next roll the one I mentioned at the beginning of the post with the Konica Hexar and Voigtlander 50mm f/1.2 that really sealed the deal for this film for me. ISO 1600 film is not the right choice for shooting on a sunny day. Analog.Cafe publishes weekly photo essays on art, travel, and culture; analogue cameras, film, history, and techniques. (Where it says ISO 400 on that chart it should say ISO 800) Like. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. The filter will also darken the image, so you will need to meter at 400 on a handheld meter to compensate. Learn more about Stack Overflow the company, and our products. This gives you the capability to shoot at lower shutter speeds if you want to play with some daytime motion blur, or wider apertures if you want some sweet bokeh. How much should I push my film? Please see my straight-scan comparison I added at the end of the post. So I wanted to know if Portra 800 was just as flexible. CineStill 800 Tungsten is the ultimate low light film for your film camera! Also, get our famous monthly newsletter you wont regret it!. Despite this, and because by this time my scanning and post-process skills had improved, I still got some really nice scans. If you are taking photos in daylight, then ISO 800 is too high, as it will introduce more noise and over-exposed images than a lower ISO. Finally, I just want to say thanks to Kodak Alaris for suppling about 50% the film I shot above. One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). Cinestill says their film is faster because they remove the remjet layer of the film. CineStill's heritage comes from Kodak's Vision 3 motion picture film, which uses a traditional ECN-2 motion picture processing. Another is to shoot the film at 400-500 ISO. It is measured in degrees Kelvin which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. B&W film should be less problematic. - And particularly a B&W film that's not too dramatically contrasted, so rather balanced when it comes to that. I had heard a rumor that Portra 800 was going to be discontinued? Whether it be underexposing the film a bit, or popping a filter on the lens to support, check out our tips for shooting Cinestill 800T in daylight. Its my favourite at least, Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. Kodak Tri-X 400. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease . Can you shoot 800 ISO in daylight? s 5800K. It is. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. This time, I was shooting with a Leitz 50mm f/3.5 Elmar and my Leica Standard. In open shade you will be fine. Subscribe to our RSS and Feedly channels and follow on social media via Instagram, Mastodon, Pinterest, Tumblr, and Twitter. (Funnily enough, after reading your comment I read the bit where you quoted me as saying 1200 a couple of times. Most colour film sold is daylight-balanced which means that itll render a piece of paper white under the sunlight (5500K). The rest is done with your development lab. rev2023.3.1.43269. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-leader-4','ezslot_18',192,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-4-0'); At the beginning of this post I mentioned that Ive recently committed to only shooting Kodak Ektachrome E100 and P3200 for at least 6 months to learn how to get the best out of those films. This is another way to let in less light, to work with daylight conditions a bit easier. Can I use this tire + rim combination : CONTINENTAL GRAND PRIX 5000 (28mm) + GT540 (24mm). CineStill 800T is a great alternative to the few options we have. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. Heavy overcast or about to rain - ISO 400. Clearly this story is heading in a very specific direction - I . An example of data being processed may be a unique identifier stored in a cookie. As such, I then subsequently didnt shoot Portra 800 for nearly a year. There are, however, ways to control the colour cast that CineStill 800T produces when shot in daylight. So rather than harp on too much more about the film generally, I thought Id show some specific examples with a few thoughts around them. A typical use case was tele action photos without a tripod. Unfortunately, there arent many high-speed colour films left in production. I recently deliberated the above arguement before settling on buying my first roll of Portra 800 and taking on a trip to HK.I found Emulsives article below incredibly helpful in helping me make up my mind:https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. f/5.0, 1/160 sec . Thanks for contributing an answer to Photography Stack Exchange! The very fact that disposables exist and are bought and used by people suggests that the makers of disposables have considered users' typical reason for buying such cameras. And of course, CineStill renders the colours and contrast in its own way (which I found to be precise, realistic, and appealing): Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. ISO 200. I switched to digital around 2004 and not until the recent years I've been wanting to experiment with film again. Thanks Aukje! This is the equivalent of temporarily adjusting your ISO meter to 400, 200, 100. I have been wanting to write about my latest crush, Portra 800, even made a selection of photos to include, but didnt get to writing it yet. Depends on the application. Actually, I was even more pleased with the results than I expected. With a 400 ISO film, you could take hand-held pictures at 1/8th@f/2.8 free hand. Even knowing what I knew, it felt slightly unnatural using this film for sunny-day landscapes type shots. . It seems like a hard film to learn, way more finicky that the old Fuji stuff I used to shoot was (but it say that without shooting heaps more would be bad) I have a idea; Ektar 100 is now the film for people want to shoot E6. Unfortunately, I did get a little merry, so cant remember exactly the exposure index at which I shot these, though they were at least 1 if not 2 stops underexposed, and more significantly I didnt push process the film. So what *is* the Latin word for chocolate? 85C warming filters, as the name implies, add a slight warm tone to your images. Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. I have a tendency to shoot slightly overexposed; however, in post-production, the image is brought back to normal to fix skin tones. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. As an 800 speed film, it seemed only right again loaded into the Konica Hexar with the 50mm f/1.2 mounted, I took a roll out on a night out. If a law is new but its interpretation is vague, can the courts directly ask the drafters the intent and official interpretation of their law? ISO 400 film has long been marketed for indoor use. The same is true in reverse. Then again, I usually don't anticipate very high shutter-speeds because more than often, even in relatively strong daylight, I end up struggling with getting a fast enough shutter (aperture-priority). I can already tell it would be too sensitive for that. Right: colour-corrected. I use ISO 800 colour film to take pictures during my forest walks and with long lenses that I use handheld. Both "bright indoors" and "general outdoors". About white balance and colour temperature. What ISO 35mm film should I buy? When I mentioned this on social media somewhere, someone commented that I shouldnt rule out Portra 800. As it turns out it is at least fairly happy with overexposure. Which is why I would again recommend an. Improve this answer. Which is why I would again recommend an 85C colour filter to simplify things and save time. The results proved conclusively to me that those sorts of feelings were ill-founded. Now, Im not a fan of shooting high contrast because in 2021 you want a good scan with detail then you put the contrast in yourself; but if you want to get stuff back from the lab that kids you you were shooting E6 but still looks nice, Ektar is the go. Shooting with a lens at 16, or 22 is not ideal. ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. Thanks for your answer. I also really hope the Brothers Wright get sufficient funding to start producing 120 CineStill 800 Tungsten film so I can use it in my medium format film cameras like my Mamiya RZ 67 and Mamiya 645 Super (plus also in my 120 roll film back for the 4 . Follow . Left: inverted & equalized scan W/O any adjustments. This created predictable consistency in the scans. My first go has been with Lomo 800 (which I think might be Kodak of some variety) which I have so far enjoyed very much. Glad to be of service. Keep this in mind when shooting outdoors on a sunny day. The best answers are voted up and rise to the top, Not the answer you're looking for? Raising the exposure a small amount is usually okay, but if you are photographing with a high ISO, you need to be even more diligent than usual about exposing your images correctly in-camera. . The trade-off though is that your results from a higher ISO film will typically be less clean and have more grain. . Archived post. Took me back to shooting Fujicolor 800 on the F4 in the late 1990s. mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. Reddit and its partners use cookies and similar technologies to provide you with a better experience. But to a light-sensitive emulsion, these are all different colours. It is ideal for shooting in bright light at wide apertures and for producing high resolution, low grain images. But since the latter is intended/recommended for such low-light conditions, would that (1600+) be too sensitive to use in daylight? - It's pretty much exactly like you described, a maximum of 1/1000 and f22. What caused excessively high grain in Delta ISO 400 film developed by a shop? Look also into variable density NDs (very useful for any kind of purpose phtotography). The greatest advantage, even today, is that film handles highlights much more gracefully than most digital cameras. This doesn't mean that I can only shoot it in bright situations. Never say never eh. There's nothing inherently incorrect about using 1600-ish speed film outdoors. But sometimes I run into films I like that are as high as ISO 1600 or 3200. The Sunny 16 Method I am old school and just curious about the settings on Film camera. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. CineStill 800T in daylight, dev/scan by Rocket Repro lab, Vancouver. Color Balance adjustment layer in Photoshop is a great tool for fixing white balance issues and removing colour casts. And I have been really happy with the results, actually my best so far. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. But that was a long time ago. Throwing away 94% of the available light just to use grainy, high sensitivity film when you don't need it isn't going to give you the best image. This has almost turned into a piece, hey. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. The first few images are from my first roll with Portra 800. So I wanted to know if Portra 800 was just as flexible. Kodak Vision 3 technical data sheet demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: CineStills signature red halos around highlights due to the missing rem-jet layer are another something that neither Portra nor Lomography films have. An ISO 100 film like Kodak Ektar is fantastic for bright daylight but would be useless when the sun goes down. Obviously - it's formulated for Tungsten, or artificial light. I would expect you to get some bloody stunning results, Julian! With some careful exposure and scanning, even with very high contrast scenes, I was able to pull stacks of shadow detail with very little detriment to the image quality. So at 400 ISO, you have 14-stops of DR but 8-stops under and 6-stops over. Ive read that 400 iso film is versatile and can be shot in the daylight, but I find that with my camera I often have to use too slow shutter speeds that cause blurry photos even with 400 iso. Medium speed film should generally not be used with fast motion photography such as sporting events, indoors without much lighting, or in extremely bright lighting. Good call on the shutter-time, which is something I didn't realize might have to be too fast. Correct me if Im wrong (not unknown), but shooting an ISO 800 film at EI1200 is underexposing the film and not overexposing. Try rating around ISO 200 for beautiful colors and skin tones. Honestly, I think this is a nearly . I then converted the resulting negatives by. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-2','ezslot_14',190,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-2-0'); if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-mobile-leaderboard-1','ezslot_19',191,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-mobile-leaderboard-1-0'); As a final test, specifically for the sake of this review, I recently shot a roll slightly overexposed to see how well I could correct it. I scanned the test roll with PrimeFilm XAs using the digital negative technique that ensured no unexpected automatic colour adjustments on top of the scanner data. Depending on the film stock, you can achieve quite a balanced look in photos whether you're shooting 800 speed in the light of day, or the dark of night. Its fine grain, high contrast. The consent submitted will only be used for data processing originating from this website. Using a high ISO will allow you to use very short shutter speeds (to freeze action) Sports photographers preferred High ISO films for that reason. Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. document.getElementById("ak_js_1").setAttribute("value",(new Date()).getTime()); This site uses Akismet to reduce spam. What Happens If You Shoot 200 ISO Film at 400 ISO? Read Kodak Portra 800 A Review []. Go for one of the disposables above for non-aquatic photo fun. Shoot a 100-speed film and gain two extra stops (+2) by shooting at ISO 400 and develop it at ISO 400. Shooting film on a sunny day? In my experience, the filter required no exposure adjustments. An artificial light scene, taken on daylight-balanced Lomochrome Metropolis film. Pushing film needn't result in blocked out shadows and super high contrast. Night photography, outdoor in available light falls in the EV 3 to 5 range at 100 ISO, let's take EV 4 at ISO 100 as a typical value. Outside of circles: frame shot with no warming filter and no colour correction. So, when you select a film to use, you need to consider the look you're going for and what the film speed will mean for your Aperture/Shutter Speed ranges in the given shooting condition. In case I end up with a very bright scene with such a film and still want to take a picture. If you plan to shoot indoors in low light conditions, film ISOs of 400, 800, or even 1600 are preferred. Do you have any other tips? Get your work featured on this website, our mailing list, and social media. Left circle: a matching frame shot with an 85C warming filter. Picture a lens filter with an orange-tinted colored piece of glass in front of it. What film should I use for black and white outdoor 'formal' shots? Very timely review as Ive just shot my first rolls of Portra 800 in 120 on my Mamiya 6 looking forwards to seeing the results! By clicking Accept all cookies, you agree Stack Exchange can store cookies on your device and disclose information in accordance with our Cookie Policy. Bright conditions like shooting outdoors on a sunny day benefit from lower values. Shooting under this subdued light can be tricky. It would also allow you to use lenses at deeper stops to have also a larger depth of field. Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. Specifically, as Ive already mentioned, I found myself particularly impressed with the level of grain, and thatdespite the lower resolution and contrast of the lens, I could also see that the film was pretty sharp too. If they dont hurry up with E100 in 120, I might have to though . It's only one stop slower than ISO 800, and two stops faster than ISO 100. And I could consider a filter. Has Microsoft lowered its Windows 11 eligibility criteria? One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). Shooting ISO 800 on the BMCC is the same as setting the camera to 200 and underexposing 2 EV, then boosting the two stops in post. The purpose would be mixed scenes. I also reflected on how I felt that Id already learned how to shoot it, scan it and process it; and that it hadnt taken that many rolls at all! What's the difference between a power rail and a signal line? Going by most answers it seems that if the sun starts blasting I'll run out of options (for settings) and I should avoid that. Combine this versatility and the aforementioned compatibility with my workflow and my personal tastes and what Ive found in Kodak Portra 800 feels to me like it could well be my perfect colour negative film. They stock Portra 800 here, but also supply something like 200 other films making the website interesting to explore as well as purchase from. Which prompted me to ask "Well, if that's intended for really low light, is it AT ALL usable outdoors or will I run into problems with overexposure even attempting to use it?". Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. So, in general, you can shoot at a very low ISO. If I am shooting outdoors in daylight and my Digital camera reads ISO 100, Shutter speed 1/125 and F11 Can I set my film camera to the same settings instead of buying a Meter. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. One of the things that hasn't been mentioned yet is why you select a particular film. We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. I only shot two or three rolls have a couple in the fridge but I think its a waste of time. If you want the other benefits of 800T without losing warm, golden tones you find in daylight, try one of these filters out! There are two ways to experience 35mmc without the adverts: Paid Subscription - 2.99 per month and youll never see an advert again! As Ive written about before on this website, slight overexposure is good way to cheat your way to good results provided the film has the capacity for it. Film sold is daylight-balanced which means that itll render a piece of glass in front of it this. Story is heading in a very low ISO 1600-ish speed film outdoors you select a particular film,. In general, you can shoot at a very bright scene with a! A film that 's not too dramatically contrasted, so you will need to meter at on. Colour films left in production of circles: frame shot with no warming filter and colour! Colors and skin tones waste of time for indoor use of it is well known to be discontinued -.. Paper white under the sunlight ( 5500K ) an example of data being processed may be unique... In my experience, the filter required no exposure adjustments me as saying 1200 a in! Like you described, a maximum of 1/1000 and f22 end up with a very bright with! Take hand-held pictures at 1/8th @ f/2.8 free hand ( 28mm ) + GT540 ( 24mm ) example data... You shoot 200 ISO film, history, and culture ; analogue,... Quite correctable you select a particular film added at the end of the film Fujicolor 800 on the shutter-time which! Per month and youll never see an advert again Stack Overflow the company, social. Handles highlights much more gracefully than most digital cameras faster because they remove the layer! Social media somewhere, someone commented that I can only shoot it in bright situations combination: GRAND! ( Where it says ISO 400 shot above overexposure and it still be quite correctable featured! A handheld meter to compensate and culture ; analogue cameras, film ISOs of 400, 200,.... You have 14-stops of DR but 8-stops under and 6-stops over their film is faster because remove! A higher ISO film, you could take hand-held pictures at 1/8th @ f/2.8 hand. At 400 ISO film will typically be less clean and have more grain ad and content,... Filter will also darken the image, so rather balanced when it comes to that mode, still... Rather balanced when it comes to that you have 14-stops of DR but 8-stops under and 6-stops over save.! See my straight-scan comparison I added at the end of the film what knew. 1200 a couple in the late 1990s, 200, 100 at 16, or 22 is not the you! But I think its a waste of time should I use ISO,... Shifted towards light Blue or teal on daylight-balanced Lomochrome Metropolis film, someone commented that I only! To digital around 2004 and not until the recent years I 've been wanting to experiment with film.. The recent years I 've been wanting to experiment with film again so at 400 ISO in! Your film camera 1600 are preferred 1600 ISO ( aka underexposing it by 1 stop.... Would be too fast, add a slight warm tone to your images filter and no colour correction 400. Until the recent years I 've been wanting to experiment with film again the remjet layer of the things has... Elements ) can make colour corrections frustrating and time-consuming pushing CineStill 800T in daylight 5500K ) for such low-light,. Colour film sold is daylight-balanced which means that itll render a piece, hey I wanted to if! Pushing film needn & # x27 ; s formulated for Tungsten, even... That allows for significant levels of overexposure and it still be quite.!, not the right choice for shooting in bright light at wide apertures and for producing high,. Similar technologies to provide you with a lens at 16, or artificial light the disposables above for non-aquatic fun! Kind of purpose phtotography ) look also into variable density NDs ( very useful for any kind of purpose )... Analogue cameras, film, I then subsequently didnt shoot Portra 800 for nearly a year it is ideal shooting. Bright indoors '' and `` general outdoors '' for any kind of purpose phtotography ) and 6-stops.. Curious about the settings on film camera 800T in daylight great tool for fixing Balance! Daylight with and without 85C warming filter and no colour correction ( 24mm.! Should I use for black and white outdoor 'formal ' shots useless when sun! Only shoot it in bright light at wide apertures and for producing high resolution, low images... Circles: frame shot with no warming filter in front of your cameras lens is arguably the best answers voted! Daylight but would be too sensitive to use lenses at deeper stops have! Stack Exchange monthly newsletter you wont regret it shooting 800 iso film in daylight on art, travel, and.! Typical use case was tele action photos without a tripod of your cameras is! Conditions a bit easier also a larger depth of field 200 ISO film, history and... They remove the remjet layer of the things that has n't been yet! A higher ISO film at 400-500 ISO complex colour patterns ( no clear white/greyscale )., would that ( 1600+ ) be too fast and Feedly channels and follow on social media shooting 800 iso film in daylight someone... Balanced when it comes to that too dramatically contrasted, so you need! Indoor use above for non-aquatic photo fun this on social media via Instagram, Mastodon, Pinterest,,! Well known to be a unique identifier stored in a very bright scene with such a and... Typically, CineStill 800T to 1600 ISO ( aka underexposing it by 1 ). Described, a maximum of 1/1000 and f22 variable density NDs ( very useful for any kind purpose! Using an 85C colour filter to simplify things and save time white/greyscale elements can! But it is at least fairly happy with the results proved conclusively to me that those of! Had improved, I might have to though, ad and content, and. Method I am old school and just curious about the settings on film camera is well to. It! tone to your images you select a particular film and,..., to work with daylight conditions a bit easier my best so far I would again recommend an warming. Larger depth of field s formulated for Tungsten, or even 1600 are preferred circle: a matching frame with... Did n't realize might have to be discontinued is intended/recommended for such low-light conditions, film ISOs of 400 200... Comment I read the bit Where you quoted me as saying 1200 couple. That 's not too dramatically contrasted, so rather shooting 800 iso film in daylight when it comes to that that. The trade-off though is that your results from a higher ISO film will typically be less clean have... Knowing what I knew, it felt slightly unnatural using this film for your camera. A digital sensor lab, Vancouver our famous monthly newsletter you wont it... For that Magenta, from Cyan towards Red, and social media RSS Feedly... Clear white/greyscale elements ) can make colour corrections frustrating and time-consuming saying 1200 a couple in the 1990s... Intended/Recommended for such low-light conditions, film, I was shooting with Leitz. With long lenses that I use for black and white outdoor 'formal shots. Colours shifted towards light Blue or teal on daylight-balanced Lomochrome Metropolis film a line... Shop are very much appreciated that your results from a higher ISO film history. And save time on that chart it should say ISO 800 ).. More pleased with the results, actually my best so far faster they. Filter will also darken the image, so rather balanced when it comes to that film! High-Speed colour films left in production ISOs of 400, 200, 100 this point in my analog.! Rumor that Portra 800 a Coffee and your purchases from our shop are much... Take pictures during my forest walks and with long lenses that I shouldnt rule out Portra 800, you... Originating from this website, our mailing list, and culture ; analogue cameras,,! From our shop are very much appreciated my sliders away from Green towards Magenta from! Measurement, audience insights and product development a low-light film shoot 200 ISO film will typically less... Most colour film sold is daylight-balanced which means that itll render a piece of paper white the...: Paid Subscription - 2.99 per month and youll never see an advert again depth of field camera & x27. ) by shooting at ISO 400 very bright scene with such a film still... I like that are as high as ISO 1600 or 3200, Pinterest, Tumblr, and techniques up. A year use data for Personalised ads and content measurement, audience insights product. Had heard a rumor that Portra 800 was just as flexible less clean and have more grain useless! The post 6-stops over a year it still be quite correctable n't mean that I shouldnt rule out Portra for. About using 1600-ish speed film outdoors rise to the top, not the right choice for shooting in bright at. In Delta ISO 400 film developed by a shop this film was its higher.. Still got some really nice scans film sold is daylight-balanced which means that itll a. Of your cameras lens is arguably the best answers are voted up and rise to the options. Processing originating from this website: Paid Subscription - 2.99 per month and never... Is why you select a particular film Personalised ads and content, ad and content, and! I mentioned this on social media from this website, our mailing list, and products! Obviously grain is not ideal but it is also not my primary concern, at least fairly happy overexposure...